VISUAL ART
category selections
Ányá Ánwụ́ by DATA ORUWARI
2019 | 20” x 30" | Ink, Gouache and 24k Gold Leaf on Archival Paper
Ányá (eye) + Ánwụ́ (sun/light) — “Eye of Light”
This iconographic piece honors Anya-Anwu, a deity of the Nri people of southeastern Nigeria, who represents the pursuit of self-realization and spiritual perfection through practices like star gazing, chanting, and meditation. Radiating with sun rays and bearing the all-seeing eye above the heart, the artwork channels ancestral wisdom and indigenous cosmologies as a portal for collective healing and remembrance. It invites us to decolonize the sacred and reconnect with the Divine light within.
In the Footsteps of Mystics by AIDHA CADER
This painting series is a visual pilgrimage inspired by Sufi wisdom and sacred geometry, drawing from the intricate designs of Sufi mausoleums to explore themes of Divine love, unity, and transcendence. Blending Islamic art with the contemplative depth of the Sufi path, the works invite viewers into a meditative space where art becomes a bridge between the material and the Divine.
(top right)
Kashf: Unveiling 2024 | 52 x 63 cm | Gouache and liquid gold on Fabriano paper
(bottom left)
Munajat Namah: Dialogues with God 2024 | 96 x 80 cm | Gouache and tea stain on Fabriano paper
(bottom right)
The Sublime Way 2024 | 52 x 35 cm | Gouache on handmade paper
Seven Hathors of the Celestial Herd by ANNA MOSZCZENKA
A collection of ceramic figures channeled and shaped through meditative creation and personal healing. Each sculpture carries light codes and frequencies, embodying cosmic beings rooted in the Earth and reaching toward the stars—reminding us that, like clay, we emerge from the void, take form, and eventually return to the cosmos.
2024 | 20 cm | Ceramic Figures
Inner Worlds by STÉPHANIE LABÉ
Freely inspired by François Cheng’s Five Meditations on Beauty, Inner Worlds is an ongoing photographic series that invites quiet introspection through nature’s subtle language. Each image serves as a meditative poem —reflecting not the outer world, but the inner landscape of the soul, evoking presence, impermanence, and the lightness of Being.
